Exhibition: String Craft: Bilum + Dilly Bags

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Image for Exhibition: String Craft: Bilum + Dilly Bags

7th October – 3 November

 Exhibition Space, Building 418

String Craft showcases the cultural and gendered significance of string crafts to Indigenous Australian and Papua New
 Guinean communities, with reference to the Aboriginal Dilly Bag and the PNG Bilum.
The exhibition is part of the Indian Ocean Craft Triennial 2024 (IOTA24) 

The exhibition is a platform to promote the value of Indigenous practice through its focus on the PNG Bilum  and
the Aboriginal Dilly Bag.  Both are looped string bags made from hand twisted natural plant material, and sometimes
animal fibres, whose manufacture dates back well before European contact.

The bilum and dilly bag are made almost exclusively by women, using similar weaving techniques and a wide range of natural
raw materials for string making.  The different looping techniques and the various designs and shapes crafted by PNG
and Aboriginal women in the making of the string bags are expressions of considerable skill, innovation and creativity. Apart
from their multiple utilitarian uses, the bilum and dilly bag have enormous cultural significance and are important markers of
clan, linguistic and gender identity.  In both PNG and Australia, the use and cultural value of string bags is changing
as they become commodity items for sale to tourists and, in the case of PNG, as part of fashion and the art world.
String craft features dilly-bag inspired art installations by leading First Nations WA artists Lea Taylor and Katie West. 


These works sit alongside a selection of dilly bags and textile artworks from Northern Territory artists from Bula’Bula
Arts Ramingining and Bábbarra Women’s Centre, Maningrida.  The bilums on display come from a grouped
 private collection of bilums, representing bilums from the Sepik, Highlands and coastal areas of PNG.   They cover
a range of Traditional and contemporary bilum styles, patterns and fibres, typically found across the highly culturally
and linguistically diverse country of PNG. 

Unknown artist, Carrying Firewood, 2019. Nylon looped bilum. Photo: Gina Koczberski

We acknowledge the support of IOTA24, Lottery West, WA Department of Local Government, Sport & Cultural

 Industries and Curtin University, School of Design & the Built Environment

Learn more about the exhibition, visit: https://pacificlivelihoods.com/ and indianoceancrafttriennial.com

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