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The Gallery is now closed while we prepare for our next exhibition, IOTA24 - CODES IN PARALLEL.
Opening Event: 1 Aug 2024 6-8pm
Exhibitions open: 2 Aug - 29 Sept 2024
We were honoured and proud to have hosted ๐`๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง - ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ - ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ], ๐๐๐ ๐๐ฉ๐ง๐๐ก๐ก๐๐ฎ ๐๐ค๐ and ๐๐ค๐จ๐ฉ๐๐๐ง๐๐จ ๐๐ง๐ค๐ข ๐๐ง๐๐จ๐ค๐ฃ. The Gallery thanks all who visited these exhibitions, we hope you enjoyed them as much as we did.
See link in BIO to subscribe to our email newsletter for updates and event invites, or visit: curtin.edu.au/jcg
๐ธ Installation views N`yettin-ngal - Yeye Wongie [Ancestors Breath] and The Strelley Mob, 2024.
The JCG would like to thank our Visual Arts Program Partners Wesfarmers Arts, and Lotterywest.
The Strelley Mob supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
![The Gallery is now closed while we prepare for our next exhibition, IOTA24 - CODES IN PARALLEL.
Opening Event: 1 Aug 2024 6-8pm
Exhibitions open: 2 Aug - 29 Sept 2024
We were honoured and proud to have hosted ๐'๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง - ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ - ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ], ๐๐๐ ๐๐ฉ๐ง๐๐ก๐ก๐๐ฎ ๐๐ค๐ and ๐๐ค๐จ๐ฉ๐๐๐ง๐๐จ ๐๐ง๐ค๐ข ๐๐ง๐๐จ๐ค๐ฃ. The Gallery thanks all who visited these exhibitions, we hope you enjoyed them as much as we did.
See link in BIO to subscribe to our email newsletter for updates and event invites, or visit: curtin.edu.au/jcg
๐ธ Installation views N'yettin-ngal - Yeye Wongie [Ancestors Breath] and The Strelley Mob, 2024.
The JCG would like to thank our Visual Arts Program Partners Wesfarmers Arts, and Lotterywest.
The Strelley Mob supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐๐๐๐๐ ๐๐๐๐ค ๐๐๐๐ ๐ฅ: ๐๐ญ๐จ๐ซ๐ฒ ๐๐๐๐๐ฌ ๐ญ๐ก๐ ๐๐ข๐ซ๐ ๐จ๐ ๐๐ซ๐ญ ๐ฆ๐๐ค๐ข๐ง๐ . ๐๐๐ฅ๐ค ๐ฐ๐ข๐ญ๐ก ๐๐จ๐ฌ๐ ๐๐ฎ๐ซ๐ซ๐๐ฒ
Monday 8 July, 12:30 - 2:00pm (and last day of our current exhibitions)
Come join us and hear from ๐๐ค๐จ๐ ๐๐ช๐ง๐ง๐๐ฎ, Nyangumarta woman and artist whose work ๐๐ถ๐ณ ๐ง๐ข๐ฎ๐ช๐ญ๐ช๐ฆ๐ด ๐จ๐ข๐ต๐ฉ๐ฆ๐ณ๐ฆ๐ฅ ๐ฑ๐ฆ๐ข๐ณ๐ญ ๐ด๐ฉ๐ฆ๐ญ๐ญ (2012) is featured in ๐๐๐ ๐๐ฉ๐ง๐๐ก๐ก๐๐ฎ ๐๐ค๐ exhibition .
Rose is a Stolen Generation descendant as her mother was taken from Warrawagine Station and grew up with the first group of Roelands Mission children. The work of the Marrngu artist/teacher at Strelley helped her bridge the gap from living a city life and returning to her Pilbara family.
Formerly a member of the first Council for Aboriginal Reconciliation and a Board member of Country Arts WA, Rose shares insights and experience when searching for story and connection to The Strelley Mob exhibition. Come join us for this unique opportunity to listen and learn.
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
To register via LINK in BIO or ๐ https://events.humanitix.com/naidoc-week-talk-rose-murray
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest
Image: The Strelley Mob, John Curtin Gallery, 2024, installation view. Photo by Sharon Baker.
![๐๐๐๐๐๐ ๐๐๐๐ค ๐๐๐๐ ๐ฅ: ๐๐ญ๐จ๐ซ๐ฒ ๐๐๐๐๐ฌ ๐ญ๐ก๐ ๐๐ข๐ซ๐ ๐จ๐ ๐๐ซ๐ญ ๐ฆ๐๐ค๐ข๐ง๐ . ๐๐๐ฅ๐ค ๐ฐ๐ข๐ญ๐ก ๐๐จ๐ฌ๐ ๐๐ฎ๐ซ๐ซ๐๐ฒ
Monday 8 July, 12:30 - 2:00pm (and last day of our current exhibitions)
Come join us and hear from ๐๐ค๐จ๐ ๐๐ช๐ง๐ง๐๐ฎ, Nyangumarta woman and artist whose work ๐๐ถ๐ณ ๐ง๐ข๐ฎ๐ช๐ญ๐ช๐ฆ๐ด ๐จ๐ข๐ต๐ฉ๐ฆ๐ณ๐ฆ๐ฅ ๐ฑ๐ฆ๐ข๐ณ๐ญ ๐ด๐ฉ๐ฆ๐ญ๐ญ (2012) is featured in ๐๐๐ ๐๐ฉ๐ง๐๐ก๐ก๐๐ฎ ๐๐ค๐ exhibition .
Rose is a Stolen Generation descendant as her mother was taken from Warrawagine Station and grew up with the first group of Roelands Mission children. The work of the Marrngu artist/teacher at Strelley helped her bridge the gap from living a city life and returning to her Pilbara family.
Formerly a member of the first Council for Aboriginal Reconciliation and a Board member of Country Arts WA, Rose shares insights and experience when searching for story and connection to The Strelley Mob exhibition. Come join us for this unique opportunity to listen and learn.
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
To register via LINK in BIO or ๐ https://events.humanitix.com/naidoc-week-talk-rose-murray
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest
Image: The Strelley Mob, John Curtin Gallery, 2024, installation view. Photo by Sharon Baker.](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐ซ๐ญ๐ข๐ฌ๐ญ ๐๐๐ฅ๐ค๐ฌ - ๐๐๐๐๐๐ ๐๐๐๐ค ๐๐๐๐ ๐ฅ
๐ผ๐ง๐ฉ๐๐จ๐ฉ ๐๐๐ก๐ ๐จ - ๐`๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง โ ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ โ ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ]
Sunday 7 July, 12:30 - 2pm
On our last Sunday for this exhibition period, join Nโyettin-ngal Wagur โ Yeye Wongie Curator Zali Morgan and artists Brett Nannup and Amanda Bell in conversation with JCG Community Engagement Coordinator Ron Bradfield Jnr.
These new commissions are in response to The Herbert Mayer Collection of Carrolup Artwork. Through a diverse range of mediums and styles, the artists bring to the present-day the intertwined stories of the Carrolup child artists and their own personal context. The commissions reflect the aesthetics, design and themes present in the original Carrolup works, honouring Noongar histories and the enduring legacy of the Carrolup artists and ancestors.
This conversation will reflect on this exhibition, curatorial decision-making and conversations held during its time here at John Curtin Gallery. An opportunity to hear about whatโs next for this group of early-career Noongar artists.
Questions will be welcomed at the end of each section. Teas and coffees available.
Gallery open until 4pm.
To register, LINK in BIO or ๐ https://events.humanitix.com/naidoc-week-artist-talks-n-yettin-ngal-wagur-yeye-wongie-ancestors-breath-today-talk
Image: Zali Morgan at John Curtin Gallery speaking to an audience. Photography by Ezra Alcantra
@curtinuniversity @curtin.humanities @universityartmuseumsaustralia @ronbjnr_artist @zalimorganart @ilonamcguire_ @moorditj_manda @brettnann @lea_taylor_aboriginal_artist @crawlincrocodile
Presenting partners @wesfarmersarts and @lotterywest
![๐๐ซ๐ญ๐ข๐ฌ๐ญ ๐๐๐ฅ๐ค๐ฌ - ๐๐๐๐๐๐ ๐๐๐๐ค ๐๐๐๐ ๐ฅ
๐ผ๐ง๐ฉ๐๐จ๐ฉ ๐๐๐ก๐ ๐จ - ๐'๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง โ ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ โ ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ]
Sunday 7 July, 12:30 - 2pm
On our last Sunday for this exhibition period, join Nโyettin-ngal Wagur โ Yeye Wongie Curator Zali Morgan and artists Brett Nannup and Amanda Bell in conversation with JCG Community Engagement Coordinator Ron Bradfield Jnr.
These new commissions are in response to The Herbert Mayer Collection of Carrolup Artwork. Through a diverse range of mediums and styles, the artists bring to the present-day the intertwined stories of the Carrolup child artists and their own personal context. The commissions reflect the aesthetics, design and themes present in the original Carrolup works, honouring Noongar histories and the enduring legacy of the Carrolup artists and ancestors.
This conversation will reflect on this exhibition, curatorial decision-making and conversations held during its time here at John Curtin Gallery. An opportunity to hear about whatโs next for this group of early-career Noongar artists.
Questions will be welcomed at the end of each section. Teas and coffees available.
Gallery open until 4pm.
To register, LINK in BIO or ๐ https://events.humanitix.com/naidoc-week-artist-talks-n-yettin-ngal-wagur-yeye-wongie-ancestors-breath-today-talk
Image: Zali Morgan at John Curtin Gallery speaking to an audience. Photography by Ezra Alcantra
@curtinuniversity @curtin.humanities @universityartmuseumsaustralia @ronbjnr_artist @zalimorganart @ilonamcguire_ @moorditj_manda @brettnann @lea_taylor_aboriginal_artist @crawlincrocodile
Presenting partners @wesfarmersarts and @lotterywest](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐๐ง๐๐ฅ ๐๐ข๐ฌ๐๐ฎ๐ฌ๐ฌ๐ข๐จ๐ง | ๐๐๐๐๐๐ ๐๐๐๐ค ๐๐๐๐ ๐ฅ : ๐๐ก๐๐ญ ๐๐ซ๐ ๐ฐ๐ ๐ฐ๐จ๐ซ๐ญ๐ก ๐ง๐จ๐ฐ?
Friday 5 July - 12:30pm
โTo Aboriginal and Islander artists, arts professionals and cultural keepers working at a state, national and international level, the 60/40 vote of NO in Novemberโs Referendum, was no real surprise. So, what now, what are our First Nations peoples worth, and to whom? How do Aboriginal and Islander peoples continue to challenge our Australian society post-Referendum; about our Truth, our Cultures, our Stories, and our lived-experience points of view, when itโs clear that โAustraliaโ still needs this?
Why should Aboriginal and Islander people, care?โโ Ron Bradfield Jnr
๐
๐ค๐๐ฃ ๐๐ค๐จ๐ฉ ๐๐ค๐ฃ ๐ฝ๐ง๐๐๐๐๐๐ก๐ ๐
๐ฃ๐ง (๐พ๐ค๐ข๐ข๐ช๐ฃ๐๐ฉ๐ฎ ๐๐ฃ๐๐๐๐๐ข๐๐ฃ๐ฉ ๐พ๐ค๐ค๐ง๐๐๐ฃ๐๐ฉ๐ค๐ง, ๐
๐พ๐) ๐๐ฃ ๐ฉ๐๐ ๐ฝ๐๐ฃ๐ ๐ฌ๐๐จ๐ฉ ๐๐๐๐๐ฉ๐ง๐ ๐๐ฉ ๐
๐ค๐๐ฃ ๐พ๐ช๐ง๐ฉ๐๐ฃ ๐๐๐ก๐ก๐๐ง๐ฎ ๐ฌ๐๐ฉ๐ ๐ฅ๐๐ฃ๐๐ก๐๐จ๐ฉ๐จ:
๐๐๐ก๐ ๐๐ค๐ง๐๐๐ฃ (Curator of Nโyettin-ngal Wagur โ Yeye Wongie)
๐๐๐๐๐๐๐ก ๐ฝ๐ค๐ฃ๐ฃ๐๐ง (Filmmaker archaeologist and Berndt Museum Curator: Jintulu Exhibition, 2024)
๐๐ก๐ค๐ฃ๐ ๐๐๐๐ช๐๐ง๐ (Artist and Creative Producer at Fremantle Biennale & First Lights)
๐ฟ๐ง ๐พ๐๐ง๐ค๐ก ๐ฟ๐ค๐ฌ๐ก๐๐ฃ๐ (Associate Lecturer - Centre for Aboriginal Studies, Radio Producer, Foster mother, and twin sister to Portrait artist, Julie Dowling)
๐๐ง ๐๐ฉ๐๐ฅ๐๐๐ฃ ๐๐ค๐ค (Senior Aboriginal and Torres Strait Islander Advisor to Boola Bardip and The Dept of Communities)
@curtinuniversity @curtin.humanities @universityartmuseumsaustralia @ronbjnr_artist @zalimorganart @ilonamcguire_ @bonnermick22 @berndt.museum @moorditj_manda @brettnann @lea_taylor_aboriginal_artist @crawlincrocodile
Presenting partners @wesfarmersarts and @lotterywest
To Register, LINK in BIO ๐ https://events.humanitix.com/naidoc-2024-what-are-we-worth-now-panel-discussion/tickets
Image: Brett Nannup, Plate 1 - 2, 2024, intaglio print, ink on paper, 63 x 63cm
![๐๐๐ง๐๐ฅ ๐๐ข๐ฌ๐๐ฎ๐ฌ๐ฌ๐ข๐จ๐ง | ๐๐๐๐๐๐ ๐๐๐๐ค ๐๐๐๐ ๐ฅ : ๐๐ก๐๐ญ ๐๐ซ๐ ๐ฐ๐ ๐ฐ๐จ๐ซ๐ญ๐ก ๐ง๐จ๐ฐ?
Friday 5 July - 12:30pm
โTo Aboriginal and Islander artists, arts professionals and cultural keepers working at a state, national and international level, the 60/40 vote of NO in Novemberโs Referendum, was no real surprise. So, what now, what are our First Nations peoples worth, and to whom? How do Aboriginal and Islander peoples continue to challenge our Australian society post-Referendum; about our Truth, our Cultures, our Stories, and our lived-experience points of view, when itโs clear that โAustraliaโ still needs this?
Why should Aboriginal and Islander people, care?โโ Ron Bradfield Jnr
๐
๐ค๐๐ฃ ๐๐ค๐จ๐ฉ ๐๐ค๐ฃ ๐ฝ๐ง๐๐๐๐๐๐ก๐ ๐
๐ฃ๐ง (๐พ๐ค๐ข๐ข๐ช๐ฃ๐๐ฉ๐ฎ ๐๐ฃ๐๐๐๐๐ข๐๐ฃ๐ฉ ๐พ๐ค๐ค๐ง๐๐๐ฃ๐๐ฉ๐ค๐ง, ๐
๐พ๐) ๐๐ฃ ๐ฉ๐๐ ๐ฝ๐๐ฃ๐ ๐ฌ๐๐จ๐ฉ ๐๐๐๐๐ฉ๐ง๐ ๐๐ฉ ๐
๐ค๐๐ฃ ๐พ๐ช๐ง๐ฉ๐๐ฃ ๐๐๐ก๐ก๐๐ง๐ฎ ๐ฌ๐๐ฉ๐ ๐ฅ๐๐ฃ๐๐ก๐๐จ๐ฉ๐จ:
๐๐๐ก๐ ๐๐ค๐ง๐๐๐ฃ (Curator of Nโyettin-ngal Wagur โ Yeye Wongie)
๐๐๐๐๐๐๐ก ๐ฝ๐ค๐ฃ๐ฃ๐๐ง (Filmmaker archaeologist and Berndt Museum Curator: Jintulu Exhibition, 2024)
๐๐ก๐ค๐ฃ๐ ๐๐๐๐ช๐๐ง๐ (Artist and Creative Producer at Fremantle Biennale & First Lights)
๐ฟ๐ง ๐พ๐๐ง๐ค๐ก ๐ฟ๐ค๐ฌ๐ก๐๐ฃ๐ (Associate Lecturer - Centre for Aboriginal Studies, Radio Producer, Foster mother, and twin sister to Portrait artist, Julie Dowling)
๐๐ง ๐๐ฉ๐๐ฅ๐๐๐ฃ ๐๐ค๐ค (Senior Aboriginal and Torres Strait Islander Advisor to Boola Bardip and The Dept of Communities)
@curtinuniversity @curtin.humanities @universityartmuseumsaustralia @ronbjnr_artist @zalimorganart @ilonamcguire_ @bonnermick22 @berndt.museum @moorditj_manda @brettnann @lea_taylor_aboriginal_artist @crawlincrocodile
Presenting partners @wesfarmersarts and @lotterywest
To Register, LINK in BIO ๐ https://events.humanitix.com/naidoc-2024-what-are-we-worth-now-panel-discussion/tickets
Image: Brett Nannup, Plate 1 - 2, 2024, intaglio print, ink on paper, 63 x 63cm](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
This Pilbara Workers Strike is the longest strike in Australiaโs history, occurring from 1946 โ 1950 with 800 Aboriginal workers across 27 pastoral stations walking off the job. It is a powerful example of Aboriginal led resistance and women played an important role during strike life, yandying for tin as a means of supporting their community and establishing financial independence. Yandeyarra women extracted tin by adapting an ancient method of grass and seed separation.
Nyangumarta man, Mr Sam Mitchell created a metal yandy for Jeanne DโEpeissis (former Assistant Curator of Anthropology WAM) in 1975, one of only two metal yandys in the Western Australian Museum collection and on permanent display at Boola Bardip. Featured here is the only other metal yandy represented in the collection with a distinct Shell insignia. This yandy was collected from Meenthena Station in 1940 and currently on loan from the Western Australian Museum and on display in The Strelley Mob.
Images:
Spearim Jimmy, Tin Yandy
collected Meentheena Station, 1940, steel, 56 x 14 x 30 cm
Courtesy of the Western Australian Museum @wamuseum, with thanks to Colin Blain
Yandys were used to sift dirt and sand by alluvial miners across the Pilbara, including the Strike Mob.
The Strelley Mob, 2024, installation view, John Curtin Gallery.
Nyaparu (William) Gardiner, Yandying, 2015, pen and pencil on paper, 41 x 52 cm
Courtesy of the estate of Nyaparu (William) Gardiner.
The Strelley Mob is supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob #wamuseum @universityartmuseumsaustralia
Presenting partner @lotterywest
![This Pilbara Workers Strike is the longest strike in Australiaโs history, occurring from 1946 โ 1950 with 800 Aboriginal workers across 27 pastoral stations walking off the job. It is a powerful example of Aboriginal led resistance and women played an important role during strike life, yandying for tin as a means of supporting their community and establishing financial independence. Yandeyarra women extracted tin by adapting an ancient method of grass and seed separation.
Nyangumarta man, Mr Sam Mitchell created a metal yandy for Jeanne DโEpeissis (former Assistant Curator of Anthropology WAM) in 1975, one of only two metal yandys in the Western Australian Museum collection and on permanent display at Boola Bardip. Featured here is the only other metal yandy represented in the collection with a distinct Shell insignia. This yandy was collected from Meenthena Station in 1940 and currently on loan from the Western Australian Museum and on display in The Strelley Mob.
Images:
Spearim Jimmy, Tin Yandy
collected Meentheena Station, 1940, steel, 56 x 14 x 30 cm
Courtesy of the Western Australian Museum @wamuseum, with thanks to Colin Blain
Yandys were used to sift dirt and sand by alluvial miners across the Pilbara, including the Strike Mob.
The Strelley Mob, 2024, installation view, John Curtin Gallery.
Nyaparu (William) Gardiner, Yandying, 2015, pen and pencil on paper, 41 x 52 cm
Courtesy of the estate of Nyaparu (William) Gardiner.
The Strelley Mob is supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob #wamuseum @universityartmuseumsaustralia
Presenting partner @lotterywest](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐ข๐ณ๐ญ๐ข ๐บ๐ช๐ณ๐ณ๐ช๐ณ๐ฏ๐ช ๐ฑ๐ช๐ณ๐ช๐ณ๐ณ๐ช๐ญ๐ถ, [๐๐ฉ๐ฆ ๐ฎ๐ข๐ฏ ๐ด๐ข๐ธ ๐ต๐ฉ๐ฆ ๐ญ๐ข๐ฌ๐ฆ],2024, excerpt, duration: 3 minutes 4 seconds
Storyteller: Barbara Hale
Original illustrations and owner of the story: Solomon Cocky
Transcription: Monty Minyjun Hale
Animation: Maraya Takoniatis
Direction: Vladimir Todoroviฤ
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
The man saw the lake is a story from the Creation Time about a man who was walking along a lake. He found nothing there but magic stones. He warns everyone about the stones and how strangers need to be cautious and should not touch or take them. He spots a goanna lizard close by, escaping into a hole. He manages to catch it by the tail.
โฆโฆโฆโฆ.
Come see the full animation as part of the ๐๐๐ ๐๐๐๐๐๐๐๐ข ๐ผ๐๐ exhibition, on until Monday 8 July. Gallery hours: Mon-Fri 11am - 5pm, Sun 12-4pm (Closed Sat).
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest
![๐๐ข๐ณ๐ญ๐ข ๐บ๐ช๐ณ๐ณ๐ช๐ณ๐ฏ๐ช ๐ฑ๐ช๐ณ๐ช๐ณ๐ณ๐ช๐ญ๐ถ, [๐๐ฉ๐ฆ ๐ฎ๐ข๐ฏ ๐ด๐ข๐ธ ๐ต๐ฉ๐ฆ ๐ญ๐ข๐ฌ๐ฆ],2024, excerpt, duration: 3 minutes 4 seconds
Storyteller: Barbara Hale
Original illustrations and owner of the story: Solomon Cocky
Transcription: Monty Minyjun Hale
Animation: Maraya Takoniatis
Direction: Vladimir Todoroviฤ
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
The man saw the lake is a story from the Creation Time about a man who was walking along a lake. He found nothing there but magic stones. He warns everyone about the stones and how strangers need to be cautious and should not touch or take them. He spots a goanna lizard close by, escaping into a hole. He manages to catch it by the tail.
โฆโฆโฆโฆ.
Come see the full animation as part of the ๐๐๐ ๐๐๐๐๐๐๐๐ข ๐ผ๐๐ exhibition, on until Monday 8 July. Gallery hours: Mon-Fri 11am - 5pm, Sun 12-4pm (Closed Sat).
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐ฉ๐ฆ ๐๐ฐ๐ฏ๐ท๐ฐ๐บ, 2024, excerpt, duration: 4:04
Animation made with archival photographs from David Morgan, Bobby Jones
and Ronnie Hall, The Convoy, Strelley Literature Production Centre, Strelley, 1980.
Animation: Esther Forest @estherwforest
Direction: Vladimir Todorovic
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
The Convoy documents the first Aboriginal pastoral workers strike when the Strelley Mob walked off the cattle stations in the Pilbara in 1946. To walk off was a strike against unfair pay, appalling working conditions and exploitation. After they started the strike, the strikers were watching a movie in the local town of Marble Bar, where the white bosses forced one of the strikers to go back to the cattle station. Over the next couple of days, white station bosses got together with police to go on a hunt to capture the people from Strelley and put them in jail.
In the story The Convoy, the Strelley Mob make a blockade at Tabba Tabba Creek Bridge on the highway north of Port Hedland and stop a convoy of 33 trucks and an oil rig escorted by police. The convoy thunders past them as it makes its way to Noonkabah Station in the Kimberley, where they are looking for oil.
โฆโฆโฆโฆ.
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest
![๐๐ฉ๐ฆ ๐๐ฐ๐ฏ๐ท๐ฐ๐บ, 2024, excerpt, duration: 4:04
Animation made with archival photographs from David Morgan, Bobby Jones
and Ronnie Hall, The Convoy, Strelley Literature Production Centre, Strelley, 1980.
Animation: Esther Forest @estherwforest
Direction: Vladimir Todorovic
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
The Convoy documents the first Aboriginal pastoral workers strike when the Strelley Mob walked off the cattle stations in the Pilbara in 1946. To walk off was a strike against unfair pay, appalling working conditions and exploitation. After they started the strike, the strikers were watching a movie in the local town of Marble Bar, where the white bosses forced one of the strikers to go back to the cattle station. Over the next couple of days, white station bosses got together with police to go on a hunt to capture the people from Strelley and put them in jail.
In the story The Convoy, the Strelley Mob make a blockade at Tabba Tabba Creek Bridge on the highway north of Port Hedland and stop a convoy of 33 trucks and an oil rig escorted by police. The convoy thunders past them as it makes its way to Noonkabah Station in the Kimberley, where they are looking for oil.
โฆโฆโฆโฆ.
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐ข๐ฑ๐ข๐ณ๐ต๐ถ๐ญ๐ถ๐ฑ๐ข ๐ฑ๐ช๐ฑ๐ช๐ญ๐ถ ๐ฏ๐จ๐ข๐ซ๐ถ ๐ฌ๐ข๐ฏ๐บ๐ข๐ฏ๐บ๐ช๐ฑ๐ถ๐ญ๐ถ ๐ฌ๐ถ๐บ๐ช๐ฌ๐ข๐ณ๐ต๐ช, [๐๐บ ๐ฅ๐ข๐ฅ ๐ข๐ฏ๐ฅ ๐ฎ๐ถ๐ฎ ๐ต๐ฐ๐ฐ๐ฌ ๐ฎ๐ฆ ๐ฉ๐ถ๐ฏ๐ต๐ช๐ฏ๐จ],2024, excerpt, duration: 2:34
Storyteller: Sharon Hale
Original illustrations: Nyaparu (William) Gardiner
Transcription: Monty Minyjun Hale
Animation: Julie Ziegenhardt @glad.juju
Direction: Vladimir Todoroviฤ
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
In the story My dad and mum took me hunting, Sharon Hale recalls her time as a little girl who was taken by her parents to catch a bush turkey. Her father shoots the bird with a rifle. They cook it, have a feast, and then go home. Sharonโs memories donโt fade. Being aware that she has transformed and aged, she still vividly remembers the fire, and the times with her family.
โฆโฆโฆโฆ.
Come see the full animation as part of the ๐๐๐ ๐๐๐๐๐๐๐๐ข ๐ผ๐๐ exhibition, on until Monday 8 July. Gallery hours: Mon-Fri 11am - 5pm, Sun 12-4pm (Closed Sat).
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest
![๐๐ข๐ฑ๐ข๐ณ๐ต๐ถ๐ญ๐ถ๐ฑ๐ข ๐ฑ๐ช๐ฑ๐ช๐ญ๐ถ ๐ฏ๐จ๐ข๐ซ๐ถ ๐ฌ๐ข๐ฏ๐บ๐ข๐ฏ๐บ๐ช๐ฑ๐ถ๐ญ๐ถ ๐ฌ๐ถ๐บ๐ช๐ฌ๐ข๐ณ๐ต๐ช, [๐๐บ ๐ฅ๐ข๐ฅ ๐ข๐ฏ๐ฅ ๐ฎ๐ถ๐ฎ ๐ต๐ฐ๐ฐ๐ฌ ๐ฎ๐ฆ ๐ฉ๐ถ๐ฏ๐ต๐ช๐ฏ๐จ],2024, excerpt, duration: 2:34
Storyteller: Sharon Hale
Original illustrations: Nyaparu (William) Gardiner
Transcription: Monty Minyjun Hale
Animation: Julie Ziegenhardt @glad.juju
Direction: Vladimir Todoroviฤ
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
In the story My dad and mum took me hunting, Sharon Hale recalls her time as a little girl who was taken by her parents to catch a bush turkey. Her father shoots the bird with a rifle. They cook it, have a feast, and then go home. Sharonโs memories donโt fade. Being aware that she has transformed and aged, she still vividly remembers the fire, and the times with her family.
โฆโฆโฆโฆ.
Come see the full animation as part of the ๐๐๐ ๐๐๐๐๐๐๐๐ข ๐ผ๐๐ exhibition, on until Monday 8 July. Gallery hours: Mon-Fri 11am - 5pm, Sun 12-4pm (Closed Sat).
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
Upcoming Events - ๐๐๐๐๐๐ ๐๐๐๐ โค๏ธ๐ค๐
๐ฅ Keep the fire burning - ๐ฝ๐ก๐๐ , ๐๐ค๐ช๐ ๐๐ฃ๐ ๐๐ง๐ค๐ช๐!
We are heading into the final weeks of our exhibitions at John Curtin Gallery, which close on Monday 8th July. Donโt miss out on our schedule of final week events leading up to NAIDOC Week 2024.
๐๐๐๐ฉ ๐๐ง๐ ๐ฌ๐ ๐ฌ๐ค๐ง๐ฉ๐ ๐ฃ๐ค๐ฌ? ๐๐๐ฃ๐๐ก ๐ฟ๐๐จ๐๐ช๐จ๐จ๐๐ค๐ฃ
Friday 5 July, 12:30 - 2pm (Bankwest Theatre)
๐โ๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง โ ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ - ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ]
๐พ๐ช๐ง๐๐ฉ๐ค๐ง ๐๐ฃ๐ ๐ผ๐ง๐ฉ๐๐จ๐ฉ๐จ ๐๐ฃ ๐พ๐ค๐ฃ๐ซ๐๐ง๐จ๐๐ฉ๐๐ค๐ฃ
Sunday 7 July, 12:30pm - 2pm
๐๐ฉ๐ค๐ง๐ฎ ๐๐๐๐๐จ ๐ฉ๐๐ ๐๐๐ง๐ ๐ค๐ ๐๐ง๐ฉ ๐ข๐๐ ๐๐ฃ๐: ๐๐๐ก๐ ๐ฌ๐๐ฉ๐ ๐๐ค๐จ๐ ๐๐ช๐ง๐ง๐๐ฎ
Monday 8 July, 12:30pm - 2pm
๐พ๐ช๐ง๐ฉ๐๐ฃ ๐๐๐๐ง๐๐ง๐ฎ ๐๐ฃ๐๐๐๐๐ฃ๐ค๐ช๐จ ๐ผ๐ง๐ฉ ๐๐ค๐ช๐ง
With Ron Bradfield Jnr & Mikaela Miller
Thursday 11 July 2024, 1pm - 2pm
For more information ๐ check out Link in Bio or www.curtin.edu.au/jcg
#NAIDOC2024 #KeepTheFireBurning @curtinuniversity @curtin.humanities @curtinlifeaustralia @curtinuniversitylibrary @universityartmuseumsaustralia
![Upcoming Events - ๐๐๐๐๐๐ ๐๐๐๐ โค๏ธ๐ค๐
๐ฅ Keep the fire burning - ๐ฝ๐ก๐๐ , ๐๐ค๐ช๐ ๐๐ฃ๐ ๐๐ง๐ค๐ช๐!
We are heading into the final weeks of our exhibitions at John Curtin Gallery, which close on Monday 8th July. Donโt miss out on our schedule of final week events leading up to NAIDOC Week 2024.
๐๐๐๐ฉ ๐๐ง๐ ๐ฌ๐ ๐ฌ๐ค๐ง๐ฉ๐ ๐ฃ๐ค๐ฌ? ๐๐๐ฃ๐๐ก ๐ฟ๐๐จ๐๐ช๐จ๐จ๐๐ค๐ฃ
Friday 5 July, 12:30 - 2pm (Bankwest Theatre)
๐โ๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง โ ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ - ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ]
๐พ๐ช๐ง๐๐ฉ๐ค๐ง ๐๐ฃ๐ ๐ผ๐ง๐ฉ๐๐จ๐ฉ๐จ ๐๐ฃ ๐พ๐ค๐ฃ๐ซ๐๐ง๐จ๐๐ฉ๐๐ค๐ฃ
Sunday 7 July, 12:30pm - 2pm
๐๐ฉ๐ค๐ง๐ฎ ๐๐๐๐๐จ ๐ฉ๐๐ ๐๐๐ง๐ ๐ค๐ ๐๐ง๐ฉ ๐ข๐๐ ๐๐ฃ๐: ๐๐๐ก๐ ๐ฌ๐๐ฉ๐ ๐๐ค๐จ๐ ๐๐ช๐ง๐ง๐๐ฎ
Monday 8 July, 12:30pm - 2pm
๐พ๐ช๐ง๐ฉ๐๐ฃ ๐๐๐๐ง๐๐ง๐ฎ ๐๐ฃ๐๐๐๐๐ฃ๐ค๐ช๐จ ๐ผ๐ง๐ฉ ๐๐ค๐ช๐ง
With Ron Bradfield Jnr & Mikaela Miller
Thursday 11 July 2024, 1pm - 2pm
For more information ๐ check out Link in Bio or www.curtin.edu.au/jcg
#NAIDOC2024 #KeepTheFireBurning @curtinuniversity @curtin.humanities @curtinlifeaustralia @curtinuniversitylibrary @universityartmuseumsaustralia](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐ถ๐ณ๐ต๐ช๐ญ๐บ๐ข๐ญ๐ถ๐ซ๐ช๐ณ๐ณ๐ช ๐๐บ๐ถ๐ฏ๐จ๐ถ๐ณ๐ณ๐ข๐ฏ๐จ๐ถ ๐ ๐ข๐ณ๐ฏ๐ช๐ฎ๐ข๐ณ๐ฏ๐ข๐ฑ๐ถ๐ญ๐ถ๐ซ๐ข๐ฏ๐ช๐ฏ๐บ๐ช ๐๐ข๐ฏ๐ข๐ฌ๐ข๐ต๐ข๐ฑ๐ข ๐๐ช๐ณ๐ญ๐ข๐ณ๐ณ๐ข, ๐ ๐ช๐ณ๐ฏ๐ต๐ช๐ณ๐ณ๐ช [๐๐ฉ๐ฆ๐ด๐ฆ ๐ต๐ธ๐ฐ ๐๐ถ๐ณ๐ต๐ช๐ญ๐บ๐ข ๐ฃ๐ฐ๐บ๐ด ๐ฎ๐ข๐ฅ๐ฆ ๐ต๐ฉ๐ฆ ๐ด๐ต๐ข๐ณ๐ด, ๐ต๐ฉ๐ฆ ๐ฎ๐ฐ๐ฐ๐ฏ ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐๐ช๐ญ๐ฌ๐บ ๐๐ข๐บ], 2024, excerpt, duration: 3:22
Storyteller: Barbara Hale
Original illustrations and owner of the story: Solomon Cocky
Transcription: Monty Minyjun Hale
Animation: Annie Huang @annie____huang
Direction: Vladimir Todoroviฤ
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
In this story from the Creation Time, two boys made the stars, the Milky Way, and the new moon that still shines today. They make the stars by throwing them north, east, west and south. The story celebrates and glorifies the beauty of the stars, Milky Way and the moon.
โฆโฆโฆโฆ.
Come see the full animation as part of the ๐๐๐ ๐๐๐๐๐๐๐๐ข ๐ผ๐๐ exhibition, on until Monday 8 July.
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest
![๐๐ถ๐ณ๐ต๐ช๐ญ๐บ๐ข๐ญ๐ถ๐ซ๐ช๐ณ๐ณ๐ช ๐๐บ๐ถ๐ฏ๐จ๐ถ๐ณ๐ณ๐ข๐ฏ๐จ๐ถ ๐ ๐ข๐ณ๐ฏ๐ช๐ฎ๐ข๐ณ๐ฏ๐ข๐ฑ๐ถ๐ญ๐ถ๐ซ๐ข๐ฏ๐ช๐ฏ๐บ๐ช ๐๐ข๐ฏ๐ข๐ฌ๐ข๐ต๐ข๐ฑ๐ข ๐๐ช๐ณ๐ญ๐ข๐ณ๐ณ๐ข, ๐ ๐ช๐ณ๐ฏ๐ต๐ช๐ณ๐ณ๐ช [๐๐ฉ๐ฆ๐ด๐ฆ ๐ต๐ธ๐ฐ ๐๐ถ๐ณ๐ต๐ช๐ญ๐บ๐ข ๐ฃ๐ฐ๐บ๐ด ๐ฎ๐ข๐ฅ๐ฆ ๐ต๐ฉ๐ฆ ๐ด๐ต๐ข๐ณ๐ด, ๐ต๐ฉ๐ฆ ๐ฎ๐ฐ๐ฐ๐ฏ ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐๐ช๐ญ๐ฌ๐บ ๐๐ข๐บ], 2024, excerpt, duration: 3:22
Storyteller: Barbara Hale
Original illustrations and owner of the story: Solomon Cocky
Transcription: Monty Minyjun Hale
Animation: Annie Huang @annie____huang
Direction: Vladimir Todoroviฤ
โฆโฆโฆโฆ.
A collection of short stories inspired from the illustrated books of indigenous artists and storytellers published from 1977-1991 by the Strelley Literature Production Centre. The descendants of the original storytellers retell the stories from their community.
In this story from the Creation Time, two boys made the stars, the Milky Way, and the new moon that still shines today. They make the stars by throwing them north, east, west and south. The story celebrates and glorifies the beauty of the stars, Milky Way and the moon.
โฆโฆโฆโฆ.
Come see the full animation as part of the ๐๐๐ ๐๐๐๐๐๐๐๐ข ๐ผ๐๐ exhibition, on until Monday 8 July.
Supported by: Nomads Charitable and Educational Foundation, The Australian Research Council, Department of Local Government, Sport and Cultural Industries, Wangka Maya Pilbara Aboriginal Language Centre, University of Western Australian School of Design
@curtinuniversity @curtin.humanities @arc_govau @deptlgsc @wangkamaya @uwafinearts.and.historyofart @uwa_design #NomadsCharitableandEducationalFoundation #thestrelleymob @universityartmuseumsaustralia
Presenting partner @lotterywest](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐๐๐๐๐ ๐๐๐ ๐
๐๐๐ ๐ฅ
In the lead up to the NAIDOC Week 2024, John Curtin Gallery curatorial and collections staff members have selected several works from the Curtin University Art Collection to exhibit in our Atrium gallery space.
Around the Fire includes work by Ngamaru Bidu (Manyjilyjarra), Laurel Nannup (Noongar), Norma MacDonald (Noongar), Corban Clause Williams (Manyjilyjarra), Rover Thomas (Wangkajunga and Kukatja) and Robert Andrew (Yawuru).
For more information and upcoming events ๐ check out Link in Bio or www.curtin.edu.au/jcg
#NAIDOC2024 #KeepTheFireBurning @curtinuniversity @curtin.humanities
Image: Around the Fire, installation view, John Curtin Gallery, 2024.
![๐๐๐๐๐๐ ๐๐๐ ๐
๐๐๐ ๐ฅ
In the lead up to the NAIDOC Week 2024, John Curtin Gallery curatorial and collections staff members have selected several works from the Curtin University Art Collection to exhibit in our Atrium gallery space.
Around the Fire includes work by Ngamaru Bidu (Manyjilyjarra), Laurel Nannup (Noongar), Norma MacDonald (Noongar), Corban Clause Williams (Manyjilyjarra), Rover Thomas (Wangkajunga and Kukatja) and Robert Andrew (Yawuru).
For more information and upcoming events ๐ check out Link in Bio or www.curtin.edu.au/jcg
#NAIDOC2024 #KeepTheFireBurning @curtinuniversity @curtin.humanities
Image: Around the Fire, installation view, John Curtin Gallery, 2024.](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
๐๐๐๐ซ๐ฎ ๐ฝ๐ค๐ฉ๐ฉ๐ค๐ข ๐
๐ค๐๐ฃ, ๐๐๐ฉ๐ฉ๐๐ฃ๐ ๐๐ก๐๐๐ ๐๐ช๐ฏ๐๐, ๐๐ฃ๐ฉ๐๐ง ๐๐๐๐ ๐๐ฉ๐๐๐ก, ๐ฝ๐ค๐ ๐ฝ๐ค๐๐ง๐๐๐ ๐ฝ๐ค๐ญ๐๐ ๐๐ฃ, ๐๐๐ง๐ฉ๐๐ ๐๐๐ฃ๐๐ก๐ ๐๐ฉ๐ช๐๐ ๐๐ค๐๐๐ฉ๐๐๐ง, ๐ฟ๐๐ฃ๐๐๐ฃ๐ ๐ฟ๐ค๐ช๐๐ก๐๐จ ๐๐๐ ๐ฟ๐๐ก๐๐๐๐ง๐๐ฉ๐, 2024, digital prints on Hahnemhile hemp paper, 109 x 77cm
๐๐ฎ๐ง๐ค๐ฌ๐ฃ ๐๐๐๐๐๐ฃ๐โs illustrations, created digitally and printed in poster-like form, seek to interrogate the idea that the childrenโs works were never meant to last. The series features black figures against a pink background and references styling seen in the Carrolup Collection. The figures in the image don`t have faces โ this is to represent the nameless, faceless artists that were once known to their communities but not recorded. The series reflects the collective mindset of children and the similarity in style and aesthetics across the Carrolup artworks.
๐๐ฎ๐ง๐ค๐ฌ๐ฃ ๐๐๐๐๐๐ฃ๐ Wandandi Noongar and Ait Koedhal peoples, a multidisciplinary artist with lineage to people from the south west of Western Australia and Saibai Island in the Torres Strait.
Come see these amazing works part of ๐โ๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง โ ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ โ ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ] - Amanda Bell, Brett Nannup, Lea Taylor and Tyrown Waigana, curated by emerging Noongar curator Zali Morgan, that celebrates the enduring legacy of the Carrolup Child Artist Movement.
Exhibitions runs: Thurs 9 May โ Mon 8 July.
@crawlincrocodile @curtindbe @curtinalumni
Presenting partners @wesfarmersarts and @lotterywest
Images: Installation view, ๐ฟ๐๐ฃ๐๐๐ฃ๐ ๐ฟ๐ค๐ช๐๐ก๐๐จ ๐๐๐ ๐ฟ๐๐ก๐๐๐๐ง๐๐ฉ๐ (detail) & Tyrown Waigana.
![๐๐๐๐ซ๐ฎ ๐ฝ๐ค๐ฉ๐ฉ๐ค๐ข ๐
๐ค๐๐ฃ, ๐๐๐ฉ๐ฉ๐๐ฃ๐ ๐๐ก๐๐๐ ๐๐ช๐ฏ๐๐, ๐๐ฃ๐ฉ๐๐ง ๐๐๐๐ ๐๐ฉ๐๐๐ก, ๐ฝ๐ค๐ ๐ฝ๐ค๐๐ง๐๐๐ ๐ฝ๐ค๐ญ๐๐ ๐๐ฃ, ๐๐๐ง๐ฉ๐๐ ๐๐๐ฃ๐๐ก๐ ๐๐ฉ๐ช๐๐ ๐๐ค๐๐๐ฉ๐๐๐ง, ๐ฟ๐๐ฃ๐๐๐ฃ๐ ๐ฟ๐ค๐ช๐๐ก๐๐จ ๐๐๐ ๐ฟ๐๐ก๐๐๐๐ง๐๐ฉ๐, 2024, digital prints on Hahnemhile hemp paper, 109 x 77cm
๐๐ฎ๐ง๐ค๐ฌ๐ฃ ๐๐๐๐๐๐ฃ๐โs illustrations, created digitally and printed in poster-like form, seek to interrogate the idea that the childrenโs works were never meant to last. The series features black figures against a pink background and references styling seen in the Carrolup Collection. The figures in the image don't have faces โ this is to represent the nameless, faceless artists that were once known to their communities but not recorded. The series reflects the collective mindset of children and the similarity in style and aesthetics across the Carrolup artworks.
๐๐ฎ๐ง๐ค๐ฌ๐ฃ ๐๐๐๐๐๐ฃ๐ Wandandi Noongar and Ait Koedhal peoples, a multidisciplinary artist with lineage to people from the south west of Western Australia and Saibai Island in the Torres Strait.
Come see these amazing works part of ๐โ๐ฎ๐๐ฉ๐ฉ๐๐ฃ-๐ฃ๐๐๐ก ๐๐๐๐ช๐ง โ ๐๐๐ฎ๐ ๐๐ค๐ฃ๐๐๐ [๐ผ๐ฃ๐๐๐จ๐ฉ๐ค๐ง๐จ ๐๐ง๐๐๐ฉ๐ โ ๐๐ค๐๐๐ฎ ๐ฉ๐๐ก๐ ] - Amanda Bell, Brett Nannup, Lea Taylor and Tyrown Waigana, curated by emerging Noongar curator Zali Morgan, that celebrates the enduring legacy of the Carrolup Child Artist Movement.
Exhibitions runs: Thurs 9 May โ Mon 8 July.
@crawlincrocodile @curtindbe @curtinalumni
Presenting partners @wesfarmersarts and @lotterywest
Images: Installation view, ๐ฟ๐๐ฃ๐๐๐ฃ๐ ๐ฟ๐ค๐ช๐๐ก๐๐จ ๐๐๐ ๐ฟ๐๐ก๐๐๐๐ง๐๐ฉ๐ (detail) & Tyrown Waigana.](https://www.curtin.edu.au/jcg/wp-content/plugins/instagram-feed-pro/img/placeholder.png)
About The John Curtin Gallery The Gallery holds an important collection of Aboriginal and Contemporary Australian artworks
Established in 1968, the Collection has steadily grown as a major public cultural resource and focal point for dialogue and reflection in the community. The Gallery hosts major exhibitions each year and is recommended for lovers of contemporary art.
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Locations
John Curtin Gallery Curtin University
Building 200A Curtin University, Kent Street
Bentley, Western Australia 6102
Monday – Friday 11am – 5pm
Sunday 12pm – 4pm
Closed Saturdays and Public Holidays
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The Carrolup Centre for Truth-telling
139 St Georges Terrace,
Perth, Western Australia 6102
Monday – Friday 11am – 5pm
Sunday 12pm – 4pm.
Closed Saturdays and Public Holidays
The Carrolup Centre for Truth-telling is opening in 2024. Sign up to our newsletter to find out more.
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