Fantastic Forms

John Curtin Gallery 3 Oct - 14 Dec 2025

Colourful, and brimming with shapes that sway, teeter and slump, fantastic forms celebrates the endless creativity of the human imagination through drawing, ceramics, sculpture and animation.

Opening Event: 2 October 2025
Exhibition Open: 3 October – 14 December 2025
Supported By: Bundanon, National Collecting Institutions Touring and Outreach Program

The starting point for fantastic forms is the expansive selection of multi-hued drawings and curvilinear ceramics by Merric Boyd, collected by his son, Arthur Boyd, which form a cornerstone of the Bundanon Collection. Bringing this lyrical work into conversation with the very different practices of three living Australian artists, fantastic forms explores the joy of artmaking and its connection to everyday life. 

This collection is on tour from the Bundanon Collection and sits in dialogue with new large-scale sculptures by Nabilah Nordin, a series of ceramic figures by Stephen Benwell and stop-motion videos by emerging Bundjalung artist Rubyrose Bancroft. Beginning with Merric Boyd’s idiosyncratic approach to artmaking, fantastic forms expands from well-known ceramic work into his energetic and playful drawing practice, all of which was underpinned by the spiritual philosophy of love and connection that ran through his life and work.  

Rubyrose Bancroft is an emerging Bundjalung artist based in the Northern Rivers region of New South Wales. Bancroft is a trained ceramist who began experimenting with plasticine claymation at home during lockdown. Her work in fantastic forms uses humour and escapism whilst exploring biblical and cosmic themes.

In his paintings, ceramics and bronzes, Stephen Benwell both references and challenges classical forms, presenting fragments of full statues, suggestive of archaeological finds, alongside busts and statues of the male nude. Benwell’s distinct style continues his contemporary perspective on traditions of beauty, and other art-historical influences.

Considered Australia’s first studio potter, Merric Boyd began working with clay in 1910 when the medium was not widely used. Alongside pottery, drawing formed the backbone of his practice from an early age. Boyd’s creative philosophy shaped the lives of his five children, Lucy, Arthur, Guy, David and Mary, all of whom became artists in their own rights.

Nabilah Nordin is a Singaporean/Australian sculptor whose practice ‘unlearns’ correct methods and techniques to maintain a state of conscious naïveté. Interested in material invention, her installations embrace wonky craftwork, playfully celebrating the visceral and anthropomorphic qualities of materials in concert with community engaged performative practices.monumental artefacts.

Image credits: Fantastic Forms, 2023, installation view, Merric Boyd and Nabilah Nordin. Photo: Zan Wimberley.